First Presbyterian Church, East Moline, IL
March 22, 2026,
Lent 5A
Ezekiel37:1-14; Psalm 130; John 11:1-45
Can These Bones
Live?
You might be
caught off guard by the tone of that psalm we read earlier.
It's a psalm,
at least until those last two verses, that is about as frankly bleak and
despair-laden as anything you might see in scripture. That opening phrase -
"Out of the depths" - has proven awfully alluring for many
kinds of artists seeking to portray a state of despair or darkness. It shows up
on four different Sundays in the Revised Common Lectionary, has been set to
music many times (sometimes under its Latin heading "De profundis"),
and has inspired writers such as Elizabeth Barret Browning, Oscar Wilde, Federico
Garcia Lorca, and C.S. Lewis.
It's probably
not an accident that this psalm is paired with these two scriptures offered up
for the church on this fifth Sunday of Lent, readings that come a little bit
like a slap in the face (or maybe a slap in the faith) at this time of the
liturgical year. Both of them have the temerity to offer up, two solid weeks
before the observance of the Resurrection on Easter Sunday, stories of new life
being brought to that which was dead. "Out of the depths,"
indeed.
The obvious
move, the one most pastors I know are likely making, would probably be to go to
John’s account of Jesus’s raising of Lazarus. After all, that’s a whopper of a
reading, both in terms of its sheer length (forty-five verses!) and the impact
it has on the story of Jesus’s earthly ministry. Honestly, one of these years I
might be tempted to take this story and break it up over the first five weeks
of Lent; I honestly think there might be about five sermons in there.
You get Jesus
dawdling about going to see Lazarus, and he gets a bit of what-for over that - "Lord,
if you had been here, my brother would not have died." You get what
was in the KJV the shortest verse in the Bible – “Jesus wept” (every kid I knew was quick to claim that as one of
their "memory verses" in Sunday school). You get the warning that if Jesus
really goes through with having the tomb opened after four days, it would,
well, smell, as un-embalmed bodies do after a while, even today. You get, above
all, Lazarus coming out of the tomb. If you push later into John's gospel, you
find that his raising of Lazarus is part of why the religious authorities are
so intent on getting rid of Jesus. There's so much possibility in this account,
and I have no doubt that a lot of those sermons getting preached today are
going to be about the best sermons that those preacher friends of mine are
going to preach this season.
But I still can’t
look away from Ezekiel’s story, the one that prompted James Weldon Johnson to
create the song "Dry Bones" and get his brother to set it to music.
Ezekiel is, to
put it in modern vernacular, one messed-up dude. He was a priest in Jerusalem
who got carried away in the first wave of exile to Babylon, when the occupying
forces chose only to “cut off the head” of Jerusalem – that is, take away its
leaders, including its religious leaders. The puppet king installed after this
turned out not to be quite such a puppet after all, and when he stopped paying
tribute the Babylonians returned and destroyed the city.
This
experience seems to have taken a particular toll on Ezekiel. Ezekiel was most
likely, in modern terms, a victim of psychological trauma, most likely
resulting in what we would call clinical depression. The outlandish nature of
some of his visions (including this one), some of his prophetic behaviors that
make even Jeremiah look tame by comparison, and his sometimes-extreme tone in
calling out his people and their kings for their sinfulness and rebellion
suggest a man who would at minimum be deep into therapy in modern times, if not
something more intense.
And it is to
this broken, traumatized old priest that God brings this deeply creepy, and yet
deeply hopeful, vision of death being raised up into new life. Actually, that’s
not quite right. This isn’t Lazarus still more or less in one piece just
waiting for the call. This is not mere death; this is a destroyed, desiccated,
disassembled, dehydrated kind of death, way beyond any kind of haunted house or
Hollywood horror movie. And before this scene of absolute lifelessness, God
asks old messed-up Ezekiel, “Mortal, can
these bones live?”
There’s a lot of
wisdom in Ezekiel’s answer: “O Lord God,
you know.” God was clearly up to something, and Ezekiel (perhaps all the
more because of his trauma) had the wit not to get in the way. God gives
Ezekiel the command to “prophesy to
these bones,” and maybe only someone who had seen too much, someone as
broken and hurting as Ezekiel, could take such a command seriously enough to
carry it out. He does, and behold, the bones find their way back to each other,
they take on all the tissue and flesh that had long ago dried up and rotted
away, and there are…bodies.
Not people,
not yet: just bodies, bodies that were reconstructed and whole, but “there was no breath in them” – no wind,
no spirit. It’s not quite like in the account from John, in which after Jesus
called to Lazarus he was indeed alive, but still all bound up in the burial
cloths in which he had been wrapped. Lazarus needed release; he still needed to
be cut loose from the old trappings of death that still clung to him. These
bodies in front of Ezekiel still needed breath, spirit, life itself. They
aren't just dried-out old bones anymore, but there is still no life in them.
So, of course,
God tells Ezekiel to “prophesy to the
breath.” Ezekiel obeyed (what else was he going to do at this point?), and
from “the four winds” came the
breath that breathed life into these lifeless bodies. As Ezekiel recounts it,
they stood up, a “vast multitude,”
waiting.
Waiting. Is
that where we are?
Verses 11-14
bring Ezekiel's bizarre experience home. In this vision, for that is what all
this has been, those dried-up bones are nothing less than God's people, the
ones conquered and exiled and occupied and crushed and living without any kind
of hope whatsoever. All that Ezekiel has been commanded to do before the valley
of the dry bones, God will do for God's people, says God to Ezekiel. It's not
just about the bones taking on flesh; it's about the breath, the spirit, being
placed within them. It's about being brought back to life again.
That message
of hope has come through across the centuries, not least as that previously
mentioned song that connected to the still-developing civil rights movement in
the United States in the early twentieth century. In the early 1920s the great
poet and dramatist and author James Weldon Johnson seized upon this story to
evoke a movement that was itself still coming together, complete with lyrics
about the foot bone connecting to the heel bone and the heel bone connecting to
the ankle bone and you know how the rest of it goes. His brother Rosamond
Johnson created the tune, and the rest is history (it certainly got altered in later years).
So, where are
we in this trio of readings? Are we the psalmist, reduced to crying "out
of the depths" but still waiting on the Lord despite it all, still not
quite letting go of hope? Are we Lazarus, newly alive again but waiting to be
freed from the bonds that keep us from moving and doing? Are we Martha and Mary complaining that Jesus didn't come quickly enough? Are we the dried old bones,
without hope? Are we the reassembled bodies made physically whole but without
breath, without spirit? Are we the newly breathing and living, standing ready,
waiting for whatever God calls us to do?
Or, maybe, are
we Ezekiel? Seen too much, been broken too much in too many places by too many
things? Are we too broken to hope even a little bit, and yet so broken that we
have nothing left to do but hope? Are we so broken that the moment we see or
hear any little thing, any sign or word from God, we're going to cling to as if
our lives depend on it, because maybe they do? Can we respond, along with the
old prophet, with that kind of obedience to the most ridiculous or
insane-sounding commands (I mean, really, "prophesy to these bones"?)?
Are we desperate enough for that?
Or are we
still too sure of ourselves, too much in control, too "sane" to think
that any such outlandish (and kind of gruesome) command of God could be real?
Are we too much "good church folk" to find a thing to hold on to in
such horrific scenes, to hear God, to hear any word from God in such bizarre
circumstances?
“Mortal, can these bones live?” “O Lord God, you know.” Thanks be to God. Amen.
Hymns (from Glory to God: The Presbyterian
Hymnal unless otherwise indicated): #424, Out of the Depths; #---, Rise Up; #286,
Breathe on Me, Breath of God